Category Archives: Presentation

Bibliography

This is an ongoing bibliography of secondary material:

  • Bakhtin, M. M., Oeuvre de Rabelais et la culture populaire au moyen age et sous la renaissance, (Paris, 1970).
  • Beaudelaire, Charles, Variétés critiques, volume I: La Peintre romantique et volume II: Modernité et surnaturalisme, 3˚ édition, (1924), accessed at gallicalabs.bnf.fr/Bibliothèquedel’INHA on 30/06/2015.
  • Bergson, Henri, Le rire. Essai sur la signification du comique, 1900 (Paris, Éditions Alcan, 1924), reproduced by Bertrand Gibier for the collection “les classiques des sciences sociales”, http://www.uqac.uquebec.ca/zone30/Classiques_des_sciences_sociales/index.html, accessed 12/07/2016.
  • Boespflug, François, ‘Brève histoire de la caricature des figures majeures du christianisme’, Théologiques, vol. 17, no. 2, 2009, pp. 85-110. Accessed at http://www.erudit.org/revue/theologi/2009/v17/n2/044064ar.html?vue=resume, 22 April 2016.
  • Champfleury, Charles, Histoire de la caricature moderne, (Paris, Dentu: Librairie de la société des gens de lettres, 1870).
  • Cholvy, Gérard and Hilaire, Yves-Marie, Histoire Religieuse de la France Contemporaine, 1800-1880, (Toulouse, Éditions Privat, 1985).
  • Cubitt, Geoffrey, The Jesuit Myth: Conspiracy Theory and Politics in Nineteenth Century France, (Oxford, Clarendon Press, 1993).
    Dentith, Simon, Parody, (London, Routledge, 2000).
  • Devlin, Judith, The Superstitious mind: French peasants and the Supernatural in the Nineteenth Century, (New Haven and London, Yale University Press, 1987).
  • Doizy, Guillaume, « De la caricature anticléricale à la farce biblique », Archives de sciences sociales des religions [En ligne], 134 | avril – juin 2006, mis en ligne le 18 octobre 2009, consulté le 22 avril 2016. URL : http:// assr.revues.org/3660 ; DOI : 10.4000/assr.3660.
  • Douglas, Mary, Purity and Danger: An analysis of concepts of pollution and taboo, (Taylor and Francis, 2002), https://www.dawsonera.com/abstract/9780203361832.
  • Fontane, Charles, Un maître de la caricature: André Gill, (Paris, Éditions de l’Ibis, 1827).
  • Ford, Caroline, Divided Houses: Religion and Gender in Modern France, (Ithaca and London, Cornell University Press, 2005).
  • Getty, Clive F., The Diary of J.J. Grandville and the Missouri Album: The Life of an Opposition Caricaturist and Romantic Book Illustrator in Paris Under the July Monarchy, (Madison [N.J.] : Fairleigh Dickinson University Press, 2010).
  • Goldstein, Robert Justin, Censorship of Political Caricature in nineteenth-century France, (Kent, Kent State University Press, 1989).
  • Gombrich, E. H., Art and Illusion: a study in the psychology of pictorial representation, (London, Phaldon, 1972).
  • Griffiths, Richard, The Use of Abuse: the polemics of the Dreyfus Affair and its Aftermath, (New York, Berg, 1991).
  • Harpham, Geoffrey, “The Grotesque: First Principles” in The Journal of Aesthetics and Art Criticism, Vol 34; No. 4 (Summer, 1976), pp. 461-468, accessed at http://www.jstor.org/stable/430580 on 09/02/2016.
  • Hannoosh, Michele, Baudelaire and caricature: from the comic to the art of modernity, (University Park, Pennsylvania State University Press, 1992).
  • Hofmann, Werner, Caricature from Leonardo to Picasso, (New York, Crown Publishers, 1957).
  • Hutcheon, Linda, Irony’s edge: the theory and politics of irony, (London, Routledge, 1995).
  • Kenney, Elise; Merriman, John M.; Mount Holyoke College. Art Museum, The Pear: French graphic arts in the golden age of caricature, (South Hadley, Mass.: Mount Holyoke College Art Museum, 1991).
  • Kerr, David, Caricature and French political culture, 1830-1848 : Charles Philipon and the illustrated press, (Oxford, Oxford University Press, 2000).
  • Korsmeyer, Carolyn, Savouring Disgust: The foul and the fair in aesthetics, (Oxford, Oxford University Press, 2010).
  • Leighten, Patricia, ‘The World Turned Upside Down: Modernism and Anarchist Strategies of Inversion in L’assiette au beurre, The Journal of Modern Periodical Studies, vol 4, no. 2, (Penn State University Press: 2013), pp. 133-170.
  • Le Men, Ségolène (dir.), L’art de la caricature, (Paris, Presses universitaires de Paris Ouest, 2011).
  • Lethève, Jacques, La caricature et la presse sous la IIIe république, (Paris, Armand Colin, 1961).
  • MacInnes, John, “Essential Laughter: Baudelaire’s De L’Essence du Rire” in French Forum, Vol. 12: no. 1 (January, 1987), pp. 55-64, accessed at http://www.jstor.org/stable/40551324 on 29/12/2015.
  • McManners, John, Church and State in France, 1870-1914,(London, SPCK, 1972).
  • McMillan, James, F., ‘Remaking Catholic Europe: Louis Veuillot and the Ultramontane Project’, Kirchliche Zeitgeschichte, vol. 14, no. 1 (2001), pp. 112-122.
  • Menon, Elizabeth Korbinger, The Complete Mayeux: the use and abuse of a French icon, (Bern, Peter Lang, 1997).
  • Miller, William, Anatomy of Disgust, (Cambridge, Harvard University Press, 1997).
  • Morreal, John, The Philosophy of Laughter and Humour, (Albany, State University of New York Press, 1987).
  • Nye, Robert, Masculinity and male codes of honour in modern France, (New York, Oxford University Press; ebrary inc., 1993).
  • Palmer, Jerry, ‘Parody and Decorum: Permission to Mock’ in Beyond a Joke, ed. Sharon Lockyer and Michael Pickering, (Houndmills, Palgrave Macmillan, 2005).
  • Rosanvallon, P., La contre-démocratie : la politique à l’âge de la défiance, (Paris, Seuil, 2006).
  • Rose, Margaret, Parody: Ancient, modern and post-modern, (Cambridge, Cambridge University Press, 1993).
  • Veuillot, Louis, Mélanges religieux, historiques, politiques et littéraires, (1842-1913, Paris), sourced from http://catalogue.bnf.fr/ark:/12148/ cb31568258d. Accessed 8 May 2016.
  • Wechsler, Judith, A human comedy : physiognomy and caricature in 19th century Paris, (1982).
  • Wilson, Robert Radon, The Hydra’s Tale: Imagining Disgust, (Edmonton, University of Alberta Press, 2002).
  • Zeldin, Theodore, Conflicts in French Society: anticlericalism, education and morals in the nineteenth century, (London, George Allen and Unwin LTD, 1970).